<< Week of September 23 >>

Sunday, September 17, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

I Am Not Your Negro

Film - Documentary | September 17 | 1:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Race, power, and film collide in Raoul Peck’s invigorating look at the great writer James Baldwin, whose powerful investigations on American culture and racism were written decades ago, but whose “words matter now more than ever” (Manuel Betancourt, Esquire). Based on Baldwin’s unfinished manuscript Remember This House, which eulogized Martin Luther King Jr., Malcolm X, and Medgar Evers, and his...   More >

The Fugitive Kind

Film - Feature | September 17 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

From its compelling opening soliloquy—Marlon Brando pleading before an unseen judge (the camera eye)—The Fugitive Kind announces itself as a film that, like its protagonist, takes crazy, brilliant risks. A wayfaring stranger, Brando’s Val “Snakeskin” Xavier has wandered into one of Tennessee Williams’s waking nightmares, where the men are sadists and the women, caged birds. Anna Magnani plays the...   More >

Monday, September 18, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Tuesday, September 19, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Special movie night: Valerio Ruiz @UC Berkeley

Film - Short | September 19 | 8-10 p.m. | 101 Moffitt Undergraduate Library

 Valerio Ruiz, Italian Society @Berkeley

 Italian Society @ Berkeley

Join us next TUESDAY, September 19, for a special screening in 101 Moffitt*, at 8 PM. Event is FREE

$0

  Register online

Wednesday, September 20, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Sins of the Fleshapoids

Film - Feature | September 20 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Mike Kuchar’s sci-fi extravaganza is set far in the future, when highly evolved robots take care of the daily chores while their masters lead lives of pleasure. But when two robots fall in love, it’s not just their circuits that go haywire. Starring George Kuchar as an evil prince and Bob Cowan as a love-seeking robot, Sins helped launch American underground cinema.

Thursday, September 21, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Film Screening: The Bacchus Lady (featuring filmmaker E J-yong)

Film - Feature | September 21 | 4 p.m. | 180 Doe Library

 E J-yong

 Jinsoo An, UC Berkeley

 Center for Korean Studies (CKS)

The Bacchus Lady (죽여주는 여자) looks into the issue of elderly prostitution in South Korea. We will be joined by the filmmaker E J-yong, who will introduce the film and stay for a Q&A.

The Defiant Ones

Film - Feature | September 21 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Nominated for eight Academy Awards and winner of two, Stanley Kramer’s anti-racist “message” film stars Tony Curtis and Sidney Poitier as convicts who escape, shackled together, from an overturned prison van in the deep South. The two must overcome their mutual suspicion as they are tracked by a bloodthirsty mob barely controlled by the local sheriff. In The Devil Finds Work James Baldwin praises...   More >

Friday, September 22, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Le bonheur

Film - Feature | September 22 | 4 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

In this strikingly colorful, lyrical film, Agnès Varda contemplates happiness. François, a carpenter, is happy with his wife; he is happier still when he takes a mistress. For him it is not a question of loving one or the other; he loves both, and wants them to share a life together. This triangular relationship is examined within a circular structure. The film begins and ends with blissful...   More >

Stalker

Film - Feature | September 22 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Back by popular demand! A sci-fi tale that unwinds in the environs of the soul takes the form of a nightmarish quest for nothing less than truth itself. In a plot employing the outlines of a novel by Soviet authors Arkady and Boris Strugatsky, who also wrote the screenplay, a writer and a scientist follow a shaven-headed “stalker” into forbidden territory, a dangerous wilderness known as the...   More >

Saturday, September 23, 2017

Amos Gitai to Teach Seminar on Narrative and Form: Cinema and Architecture

Film - Series | August 29 – September 26, 2017 every day | 370 Wurster Hall

 College of Environmental Design

The Israeli film director Amos Gitai (Ph.D Architecture 79) will teach a five week course on film that explores the concepts of narrative and space. CLASS SIZE IS VERY LIMITED SO YOU MUST SIGN UP SOON. OPEN TO ALL STUDENTS ACROSS CAMPUS.

Il Boom

Film - Feature | September 23 | 6 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Billed as “The Unseen Film by Vittorio De Sica,” Il Boom finally receives its long overdue US theatrical release. Written by the director’s longtime collaborator Cesare Zavattini, Il Boom is a hilarious sendup that critiques Italy’s economic miracle of the early 1960s. While the Roman elite enjoy the material rewards of success, De Sica’s biting satire follows the challenges faced by...   More >

On the Waterfront

Film - Feature | September 23 | 8 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

“I coulda had class,” says failed fighter Terry Malloy with all the bruised brilliance Marlon Brando could muster. Maybe so, but On the Waterfront did have class—class acting, class writing, class cinematography, and class warfare. Controversial for its allegations of corruption in the longshoremen’s union, the production itself was chock-full of friendly witnesses at the HUAC hearings, director...   More >