Composition Colloquium: Nathaniel Stookey
Colloquium | May 10 | 3 p.m. | 250 Morrison Hall
First commissioned by the San Francisco Symphony at age 17, Nathaniel Stookey has collaborated with many of the world's great orchestras including The Philadelphia Orchestra, The Cleveland Orchestra, The Chicago Symphony Orchestra, The Los Angeles Philharmonic, The National Symphony, The Toronto Symphony, The City of Birmingham Symphony Orchestra, and The Hallé Orchestra, where he was composer-in-residence under Kent Nagano.
Stookey's concerto for two violins and strings, Double, was commissioned to represent the year 1999 in the millennial Festival of 999 Years of Music in Sheffield, England. The San Francisco Symphony commissioned, premiered, and recorded The Composer Is Dead (2006), a sinister guide to the orchestra with narration by Lemony Snicket. It has been performed by hundreds of orchestras worldwide and cited as one of the five most performed works of the 21st century. Stookeys Mahlerwerk (2011), commissioned by NDR-Sinfonie (Hamburg) for their centennial Mahler cycle, was premiered under Christoph Eschenbach before an audience of ten thousand people. Stookey's critically acclaimed String Quartet No. 3 'The Mezzanine' was commissioned and premiered by Kronos Quartet in 2013. April 2016 marked the premiere of Yield To Total Elation for chamber orchestra, commissioned by the San Francisco Symphony and inspired by the architect A.G. Rizzolis imaginary city.
As a composer of vocal and theatrical music, Stookeys work has received considerable acclaim for innovation and emotional immediacy. Frederica von Stade kicked off her 2009 farewell tour with Stookeys setting of her personal texts Into the Bright Lights. The following year he scored John Doyles production of Brechts Caucasian Chalk Circle. Stookeys monodrama Ivonne (2014) for soprano and trio was commissioned and premiered by Opera Memphis for the Ghosts of Crosstown project. A recording of ZIPPERZ by Magik*Magik Orchestra, with Manoel Felciano and Robin Coomer, was released in August 2017 on Ghostlight Records.