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OTHER CALENDARSABOUT THE CALENDARMORE RESOURCES |
Monday, November 2, 2009T.J. CLARK Picasso and Truth: Lecture 1: Still Life in Front of a WindowLecture | November 2 | 7 p.m. | Berkeley Art Museum T.J. Clark Kaja Silverman History of Art, Department of, Berkeley Art Museum, Program in Critical Theory ****************************************************************************** All Audiences Registration for all three lectures has reached capacity. We do anticipate a limited number of “rush” tickets becoming available the night of each lecture. A “rush line” will form on a first-come, first-served basis. T.J. CLARK Picasso and TruthLecture | November 2 – 4, 2009 every day | 7 p.m. | Berkeley Art Museum T.J. CLARK Kaja Silverman; Judith Butler; Anthony Cascardi History of Art, Department of, Townsend Center for the Humanities, Program in Critical Theory, Berkeley Art Museum These three lectures by T.J. CLARK Tuesday, November 3, 2009Archaeology, National Identity and the Coup in Honduras: the Role of the Ancient Maya: Archaeological Research Facility LectureLecture | November 3 | 4:10-6 p.m. | 101 2251 College (Archaeological Research Facility) Dario Euraque, Professor of History and International Studies, Trinity College Archaeological Research Facility, Latin American Studies, Center for, Anthropology, Department of On June 28th, the President of Honduras was ousted in a coup. Later, the Director of the Institute of Anthropology and History, was illegally removed from office by the de facto regime. This talk addresses the eerie question: what role did the Ancient Maya play in the aftermath of the coup in Honduras? T.J. CLARK Picasso and Truth: Lecture Two: Three DancersLecture | November 3 | 7 p.m. | Berkeley Art Museum T.J. Clark Judith Butler History of Art, Department of, Berkeley Art Museum, Program in Critical Theory ****************************************************************************** All Audiences Registration for all three lectures has reached capacity. We do anticipate a limited number of “rush” tickets becoming available the night of each lecture. A “rush line” will form on a first-come, first-served basis. For more informati T.J. CLARK Picasso and TruthLecture | November 2 – 4, 2009 every day | 7 p.m. | Berkeley Art Museum T.J. CLARK Kaja Silverman; Judith Butler; Anthony Cascardi History of Art, Department of, Townsend Center for the Humanities, Program in Critical Theory, Berkeley Art Museum These three lectures by T.J. CLARK Wednesday, November 4, 2009T.J. CLARK Picasso and Truth: Lecture 3 — GuernicaLecture | November 4 | 7 p.m. | Berkeley Art Museum T.J. Clark Anthony Cascardi History of Art, Department of, Townsend Center for the Humanities, Berkeley Art Museum, Program in Critical Theory Third of three lectures by All Audiences Registration for all three lectures has reached capacity. We do anticipate a limited number of “rush” tickets becoming available the night of each lecture. A “rush line” will form on a first-come, first-served basis. For more informati T.J. CLARK Picasso and TruthLecture | November 2 – 4, 2009 every day | 7 p.m. | Berkeley Art Museum T.J. CLARK Kaja Silverman; Judith Butler; Anthony Cascardi History of Art, Department of, Townsend Center for the Humanities, Program in Critical Theory, Berkeley Art Museum These three lectures by T.J. CLARK Monday, November 9, 2009La Nana: Directed by Sebastián Silva (Chile, 2009)Film - Feature | November 9 | 7-9 p.m. | Pacific Film Archive Theater Latin American Studies, Center for Raquel is a live-in maid who has served the Valdés family for 23 years. Threatened when her employers decide to bring in extra help, she engages in a series of increasingly frantic acts to hold on to her position in this sharp comedic drama. 95 minutes. Spanish with English subtitles. All Audiences All Audiences Friday, November 20, 2009Comparative Aesthetics of Cityscapes: Havana and Trinidad, CubaColloquium | November 20 | 4-6 p.m. | 101 2251 College (Archaeological Research Facility) Maki Tanaka, UC Berkeley Townsend Center for the Humanities, Graduate Assembly This paper reflects on aesthetic possibilities that materialize in the post-Soviet economy of Cuba. Cuban landscape has historically marked distinct aesthetics that were afforded by political economy of the times. More recently, as Cuba reinserted itself to the global economy after the collapse of the Soviet bloc, albeit in its own socialist manner, new cityscape began to emerge... More > |
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