Film - Feature | August 9 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
With this gorgeous picture set among a small Ukrainian sect, Sergei Paradjanov was the first to indicate the degree to which folklore and local artistic tradition could once again become a source of visual wealth in Soviet national cinema. In the beautiful but fierce Carpathian Mountains, an environment of overwhelming Christian-pagan rituals, demonology, and constant struggle with overpowering elements, a story of love unfolds. Adopting the great master Dovzhenkos use of symbolism and metaphor, and his lyric photography, Paradjanov adds a dynamically active camera suited to the requirements of his energetic and temperamental character (Yvette Biro).
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