Film - Feature | October 4 | 7-10 p.m. | Berkeley Art Museum and Pacific Film Archive
At once lyrical and brutal, this family saga is fatalist film noir expressed through a purity of vision; like the saintly Rocco (Alain Delon) himself, it takes a lot of violence to daunt Viscontis love. Rocco is a character like Dostoyevskys Prince Mishkin, or Robert Bressons Balthazar. He is the anomaly among the five sons of a poor but canny widow (Katina Paxinou) who brings her family from the south to Milan, where they arrive like an earthquake, unprepared for the strains of urban living. The film develops in five episodes, one devoted to each brother, but the structure is as complex as their lives are intertwined.
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