Films
Friday, February 1, 2019
The Image Book
Film - Feature | February 1 | 6:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
The newest essay film by Jean-Luc Godard is a kaleidoscopic bulletin on the state of our world (Variety). Winner of the first Special Palme dOr award in the history of the Cannes Film Festival.

The Pelican
Film - Feature | February 1 | 8:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Blains achingly moving portrait of paternal love focuses on jazz musician and new father Paul (Blain), who, seeking to satisfy his wifes upwardly mobile desires, takes part in an illegal scheme that promptly lands him in prison. Released many years later, Paul discovers that his wife has remarried to a wealthy man. Tracing them to their luxurious summer house in Switzerland, Paul spies on the... More >

Saturday, February 2, 2019
Nassers Republic: The Making of Modern Egypt
Film - Documentary | February 2 | 2 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
An intriguing overview of Egypts political history in the modern age, Nassers Republic examines the transformative influence of Gamal Abdel Nasser (19181970) on the Arab world. Through his leadership of the 1952 revolution and rise to power as Egypts second president, Nasser challenged Western powers and championed Arab and African liberation. He fought against unemployment, poverty, and... More >
The Nibelungen, Part I: Siegfrieds Death
Film - Feature | February 2 | 4:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Langs two-part superproduction of the thirteenth-century Nordic saga that also inspired Wagners The Ring of the Nibelung is a triumph of studio-created artifice in the silent era. Sets, lighting, costumes, camerawork, and special effects all contribute to the monumental re-creation of a world at the dawn of time, when fire-breathing dragons roam the earth and the Nibelungen, a race of dwarfs,... More >

All Is Forgiven
Film - Feature | February 2 | 7:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Hansen-Løves assured debut feature is a generous, unflinching look at a loving family gradually undone by addiction. Spanning a period of over a decade in the life of a couple, their child, and their extended family, the film maintains a feeling of intimacy and immediacy in each scene as time passes for the characters, both binding them together and wrenching them apart. A study of the gaps and... More >

Sunday, February 3, 2019
Garry Winogrand: All Things Are Photographable
Film - Documentary | February 3 | 1:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Garry Winogrands photographs constitute an unflinching yet empathetic portrait of Cold Warera America. Attuned to incongruous juxtapositions, unexpected beauty, and the fascinating variety of humankind, Winogrand made a fine art of street photography, capturing scores of images imbued with mystery and poetry. Sasha Waters Freyers poignant documentary foregrounds Winogrands photographs,... More >
The Nibelungen, Part II: Kriemhilds Revenge
Film - Feature | February 3 | 3:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
In Part II of Langs epic The Nibelungen, the despondent Kriemhild forms an alliance with Attila the Hun and massacres Hagens forces in a violent siege. While the design of Part I, Siegfrieds Death, is highly decorativeamidst colossal rock formations and vast architectural structures, the characters are almost ornamental motifsin Kriemhilds Revenge the style modulates to a kaleidoscope of... More >
Eden
Film - Feature | February 3 | 6:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Chronicling the emergence of the house music scene in Paris in the 1990s and twenty years in the life of a DJ who was part of it, Eden draws on the experience of Sven Hansen-Løve, a contemporary of Daft Punk and the directors brother, who cowrote the screenplay. At once epic and intimate, the film documents both the ecstatic pleasure of the music scene and the toll that the lifestyle and time... More >
Wednesday, February 6, 2019
24 City
Film - Feature | February 6 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Jia Zhangkes exquisite documentary/fiction hybrid examines a Chinese factory-city being dismantled to make way for luxury apartment houses. Its workers, many of whom have spent their entire lives within the confines of the factorys shops, schools, and dormitories, narrate how its walls have come to embody Chinas modern history. For Jia, history is always a blend of fact and imagination.... More >

Kedi: February's Movie at Moffitt
Film - Documentary | February 6 | 7-9 p.m. | 405 Moffitt Undergraduate Library
Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years theyve wandered in and out of peoples lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats... More >
Must have a UCB student ID for entrance.

Movies at Moffitt
Thursday, February 7, 2019
The Peach Blossom Land
Film - Feature | February 7 | 12 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Written and directed by Arts + Design Thursdays series cocurator Stan Lai, The Peach Blossom Land is the award-winning film adaption of his groundbreaking 1986 play Secret Love in Peach Blossom Land. The film radically challenges the principles of filmed theater, featuring remarkable innovations in staging, in the use of song and dialogue, and in the convention of the fourth wall. Two theater... More >

Xiao Wu
Film - Feature | February 7 | 2:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Fresh from the Beijing Film Academy in 1997, Jia turned to the dirt streets of his hometown Fenyang for his feature debut, a Bresson-in-the-boondocks portrait of China in economic transition and those who can only watch as theyre left behind. More inclined toward a slow stroll sideways than a great leap forward, the small-time, undermotivated pickpocket Xiao Wu (Wang Hongwei) isnt keeping up as... More >

Platform
Film - Feature | February 7 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Chinas tumultuous 1980s are revisited in this hyperrealistic account of one provincial theater troupes struggles in a landscape dizzily moving from postCultural Revolution isolation to a consumer-age nightmare of bad perms and disco fever. The troupe begins in 1979 as the Fenyang Peasant Culture Group, desultorily performing propaganda songs about Chairman Mao, but ten years (and a centurys... More >

Friday, February 8, 2019
Unknown Pleasures
Film - Feature | February 8 | 2:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Named one of the top two films of 2003 by critic J. Hoberman, Unknown Pleasures places the rebel-youth genre in the milieu of Chinas then unseen birth control generation, teens born in the early eighties and raised in an age when Tarantino has become the new Mao and China is looking for a way into the global economy. The television is showing Chinas Olympic bid and participation in the WTO,... More >

M
Film - Feature | February 8 | 8 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Langs masterpiece is a terrifying excursion into an urban underworld where it is difficult to distinguish morally between the activities of organized crime and organized law enforcement. Peter Lorre gives his immortal performance as a pathetic child murderer pursued by both the law and the syndicate. In the rigor of its construction, where theme, style, and mood all express a kind of entrapment... More >

Saturday, February 9, 2019
The Image Book
Film - Feature | February 9 | 2 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Winner of the first Special Palme dOr award in the history of the Cannes Film Festival, The Image Book is an essay film by one of cinemas great visionaries, Jean-Luc Godard. Using a non-narrative flow of images drawn largely from the history of the moving image, but referencing also the tradition of painting, Godard projects a worldview of deep sadnessoften showing us a world torn apart by... More >

Spies
Film - Feature | February 9 | 4 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
It is clear that this complex masterpiece of pulp fiction ranked with M and the Mabuse films as one of Langs major pre-Hollywood accomplishments (Elliott Stein). Following the massive undertaking of Metropolis, Lang formed his own company and began the modest production of Spies. With its simple, sparsely decorated sets, frequent use of close-ups, and flawless plot structure, Spies is a... More >

Four Films by Nathaniel Dorsky
Film - Series | February 9 | 8 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Filmmaker Nathaniel Dorsky writes, In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of... More >

Sunday, February 10, 2019
Coffee Colloquium and Dry Roast Film Screening
Film - Documentary | February 10 | 10 a.m.-12 p.m. | UC Botanical Garden
Emily Thomas and Lauren Schwartzman; Cataracha Coffee; Anika Rice
Come learn all about coffee and some of the complex issues involved with the production, harvest, and export of this invaluable plant to humans. Our colloquium will start off with a film screening of Dry Roast, a documentary film made by UC Berkeley Journalism graduates Emily Thomas and Lauren Schwartzman. The screening will be followed by a presentation from Mayra Orellana-Powell, the founder of... More >
$25, $20 members

Adalen 31
Film - Feature | February 10 | 1:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
During a labor strike in 1931, Swedish soldiers deployed to shield replacement workers in the town of Adalen opened fire on marching strikers and their supporters, killing five and wounding many others. Widerberg frames the notorious event with the intimate details of daily life in the small town, focusing on the lives of the Andersson family and their intersecting relationships with neighbors,... More >

Asphalt
Film - Feature | February 10 | 4 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Often overshadowed by his contemporaries like Ernst Lubitsch or F. W. Murnau, the German Expressionist director Joe May is most widely recognized for two things: helping Fritz Lang enter the film business, and directing the 1929 city-symphony proto-noir Asphalt. The films classic noir plota gorgeous petty thief seduces a straitlaced cop, and soon both are over their heads in troubleplays out... More >
Ash Is Purest White
Film - Feature | February 10 | 6:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
A gangsters wife stands on her own in Jia Zhangkes expansive narrative of empowerment and survival, set against the tumultuous political and cultural changes of twenty-first-century China. Jias wife and longtime muse Zhao Tao, whose roles in his Unknown Pleasures and Still Life serve as inspiration, stars as a woman saddled with a mobster lover whos seen one too many John Woo films; she first... More >

Wednesday, February 13, 2019
M
Film - Feature | February 13 | 3:10 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Langs masterpiece is a terrifying excursion into an urban underworld where it is difficult to distinguish morally between the activities of organized crime and organized law enforcement. Peter Lorre gives his immortal performance as a pathetic child murderer pursued by both the law and the syndicate. In the rigor of its construction, where theme, style, and mood all express a kind of entrapment... More >

Minding the Gap
Film - Documentary | February 13 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
In Rockford, Illinois, Bing Liu has been filming his friends Zack and Keire on and off their skateboards for ten years. Weaving archival footage, interviews, and incredible skate videos, Liu chronicles in simple and poetic fashion the lives of his inner circle of friends and family, revealing the damaging circumstances in which they all grew up. Less a film about skate culture than an unusual... More >

Thursday, February 14, 2019
Summer
Film - Feature | February 14 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
The astounding performance of Marie Rivière as a lonely woman searching for companyyet unwilling to compromisegrounds this airy, ephemeral Rohmer tale, winner of Best Film at the 1986 Venice Film Festival. Its summertime in France and the proud, outspoken Delphine finds herself lacking a vacation partner. Her travels through France and awkward attempts to meet people frame the story, but... More >

Friday, February 15, 2019
Garry Winogrand: All Things Are Photographable
Film - Documentary | February 15 | 4 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Garry Winogrands photographs constitute an unflinching yet empathetic portrait of Cold Warera America. Attuned to incongruous juxtapositions, unexpected beauty, and the fascinating variety of humankind, Winogrand made a fine art of street photography, capturing scores of images imbued with mystery and poetry. Sasha Waters Freyers poignant documentary foregrounds Winogrands photographs,... More >

Arboretum Cycle
Film - Series | February 15 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Nathaniel Dorsky writes, In walking distance from my apartment is San Franciscos Arboretum located in Golden Gate Park. I decided that I would make a film on a single subject and that subject would be the lightnot the objects, but the sacredness of the light itself in this splendid garden. What I did not know is that the great beauty of this magnificent spring would bring forth not one, but... More >

Saturday, February 16, 2019
Alamar
Film - Feature | February 16 | 2:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Seemingly fused together with salt spray and sunlight, Alamar floats and bobs along with the rhythms of the surf as two men and a boy fish, prepare food, eat, sleep, work, and talk (barely) in a Mayan fishing community on the shores of the Mexican Caribbean. Seagulls flap inches from their heads, crabs and turtles scurry along the beach, sunsets and sunrises come and go, tides rise and falland a... More >

Monrovia, Indiana
Film - Documentary | February 16 | 4:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
After the February 16 screening, enjoy a Film to Table dinner at Babette, the cafe at BAMPFA. Join an intimate group of fellow filmgoers for a four-course, prix-fixe meal in a convivial, dinner-party atmosphere. Purchase dinner tickets in advance at babettecafe.com (film tickets must be purchased separately).
Following the 2016 national election, Frederick Wiseman headed to Monrovia, Indiana,... More >

Woman in the Moon
Film - Feature | February 16 | 7:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
While at work on his futuristic, earthbound Metropolis, Lang envisioned a project that would allow him a chance to explore the concept of space travel. Made on the cusp of the sound era, Woman in the Moon was intentionally designed as a silent picture; Lang fought off pressure from Ufa studio execs who wanted him to make a sound film. He consulted with two specialists in rocket technology,... More >

Sunday, February 17, 2019
Dr. Mabuse the Gambler, Part I: A Portrait of Our Time
Film - Feature | February 17 | 1 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
At once the Expressionist portrayal of its timesthe malaise of postWorld War I Berlinand a breathtaking detective story, this silent masterpiece gives us the sensational adventures of the great unknown, the man who holds all the cards: Dr. Mabuse, the master of disguises. In the frenetic and duplicitous city, Mabuse (Rudolf Klein-Rogge) constantly reinvents his own identity (he is the... More >

Dr. Mabuse the Gambler, Part II: Inferno, a Play of People in Our Time
Film - Feature | February 17 | 4:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Part II of Langs epic thriller traces a web of stories and details Mabuses descent. Everyone (his victims, his lover, the states attorney who resolutely pursues him) has become, at some point, spectator of his terrifying will. Only at the end, when the system sustaining his authority is breached, will the mastermind become the spectator of his own nightmares.

A Touch of Sin
Film - Feature | February 17 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Jia Zhangke takes on the collateral damage of Chinas maniacal growth. Four violent deeds are ripped from the headlines and explosively restaged to illustrate everyday citizens pushed to the edge . . . of the economy. Taking cues from wuxia legend King Hu, A Touch of Sin links the lore of martial arts to base survival in contemporary China. Stunning in their visual charge, the four overlapping... More >

Tuesday, February 19, 2019
Monrovia, Indiana
Film - Documentary | February 19 | 6:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
After the February 16 screening, enjoy a Film to Table dinner at Babette, the cafe at BAMPFA. Join an intimate group of fellow filmgoers for a four-course, prix-fixe meal in a convivial, dinner-party atmosphere. Purchase dinner tickets in advance at babettecafe.com (film tickets must be purchased separately).
Following the 2016 national election, Frederick Wiseman headed to Monrovia, Indiana,... More >

Wednesday, February 20, 2019
"82 Names: Syria, Please Don't Forget Us" - Screening
Film - Documentary | February 20 | 12:50-2 p.m. | 105 Boalt Hall, School of Law
Félim Mcmahon, Technology and Human Rights Program Director, Human Rights Center, Berkeley Law; Rafif Jouejati, Free Syria Foundation; Nidal Betare, People Demand Change
Center for Middle Eastern Studies, Human Rights Center, Middle Eastern Law Students Association
82 Names is the story of Mansour Omari, a Syrian Human Rights Activist who was imprisoned for nine months and tortured by the Assad Regime. Omari smuggled out scraps of clothes recording the names of all 82 of his cellmates. After the film screening, Director Maziar Bahari will speak about the importance of confronting historical conflict through memorials; and what the Holocaust can teach us... More >

Autobiography of a Princess
Film - Feature | February 20 | 3:10 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive, Institute for South Asia Studies
Madhur Jaffrey stars as the titular princess, flawlessly inhabiting the role written with her in mind. Living modestly in London, the daughter of a once-powerful maharajah invites her fathers tutor, Cyril Sahib (James Mason), for tea and 16mm movies to celebrate her late fathers birthday and to reminisce about the glorious time of his rule. As the princess projects archival footage and... More >

Dusk Chorus
Film - Documentary | February 20 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
For decades, the Italian sound artist and composer David Monacchi has made recordings of biodiverse regions as part of his Fragments of Extinction project, with the dual purpose of saving these unique soundscapes and creating his own compositions. In Dusk Chorus, his high-tech fieldwork in the equatorial rainforests of the Amazon is documented by filmmakers Saravanja and DEmilia. A tree emits a... More >

Thursday, February 21, 2019
Screening: 5 Broken Cameras
Film - Documentary | February 21 | 6 p.m. | 132 Boalt Hall, School of Law
Law Students for Justice in Palesitne
An Oscar-award winning documentary about a Palestinian farmer's non-violent resistance of the Israeli army.
Black Interiors: Spirit
Film - Series | February 21 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Black interiors are the life worlds of black peoples often denied them in normative modes of cultural circulation. Spirit is black radical energy. In Lynne Sachss Sermons and Sacred Pictures we are introduced to the work of Reverend L. O. Taylor, who captured the essence of the black church in a series of recordings from the 1930s and 40s. We meet Bessie Jones in Bess Lomax Hawess... More >

On Screen: Misleading Innocence (Tracing What a Bridge Can Do)
Film - Documentary | February 21 | 7-8:30 p.m. | 310 Jacobs Hall
Jacobs Institute for Design Innovation
Misleading Innocence (tracing what a bridge can do) explores the story of the planning and politics of a series of overpasses on Long Island, commissioned in the 1920s and 1930s by Robert Moses.

Friday, February 22, 2019
Liliom
Film - Feature | February 22 | 4 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Langs wonderfully inventive Liliom, which has a musical lightness akin to René Clairs films, fell into almost complete obscurity soon after its release. Made in France, the first stop on Langs self-imposed exile from Germany, this tragicomedy is based on Ferenc Molnars fantastical play about earth, heaven, and purgatory. Charles Boyer stars in one of his best roles, and Antonin Artaud appears... More >
Shakespeare Wallah
Film - Feature | February 22 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive, Institute for South Asia Studies
In Shakespeare Wallah (wallah means peddler), a family of English Shakespearean actors find themselves lost in the new India, reduced to giving performances at golf clubs, schools, and the palaces of declining maharajahs. Their conflict is heightened when the daughter of the family falls in love with a young Indian playboy. The Kendal familymother, father, and daughterplay themselves in the... More >

Saturday, February 23, 2019
The Testament of Dr. Mabuse
Film - Feature | February 23 | 4:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Prompted by producer Seymour Nebenzahl to do a sequel to his highly successful pair of Mabuse films of 1922, Lang took the opportunity to make what he would later call an allegory to show Hitlers processes of terrorism. The Testament of Dr. Mabuse was quickly banned by Joseph Goebbels, minister of propaganda under the newly formed Nazi government. This thriller-melodrama exploring themes of... More >
The Guru
Film - Series | February 23 | 7:30 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive, Institute for South Asia Studies
James Ivory called The Guru the most unseen and most mysterious of our movies . . . Merchant Ivorys version of a sixties trip. The film is centered around a sitar virtuoso (Uptal Butt) whose life is disrupted when he accepts an English pop star (Michael York) as a pupil and is simultaneously sought out by an exuberant young Englishwoman (Rita Tushingham) who decides to devote herself to him... More >

Wednesday, February 27, 2019
It Happened One Night
Film - Feature | February 27 | 3:10 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
This heres a screwball comedy that throws some real curves: most particularly a leggy Claudette Colbert and a shirtless Clark Gable. Cheeky Colbert plays a runaway heiress on a bus north to find her fiancé; instead she finds fellow traveler Gable, an ace reporter with everything but an assignment. The repartee (written by Robert Riskin, who won an Oscar for the screenplay) is faster than a... More >

Dreams Are Colder Than Death
Film - Feature | February 27 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Fifty years after Martin Luther King delivered his I Have a Dream speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today. Jafa arranges the thoughts of this eloquent chorus into a profoundly moving score that also elucidates the origin of the concept of blackness and the... More >

Thursday, February 28, 2019
Affective Proximity: Films by Arthur Jafa and Others
Film - Series | February 28 | 7 p.m. | Berkeley Art Museum and Pacific Film Archive
Berkeley Art Museum and Pacific Film Archive
Fundamental to Arthur Jafas artistic process is the compilation, editing, and remixing of appropriated images through what John Akomfrah has called affective proximity. For this program Jafa has selected films that explore the effects of violence on black individuals and communities while also depicting their beauty, power, and resilience. Dawn Suggss Chasing the Moon is a short meditation on... More >
