Film - Feature | October 12 | 7:30-9:10 p.m. | Berkeley Art Museum and Pacific Film Archive
One of Bergmans most daring experiments, this bleakly explicit tale of a feuding couple was controversial on its release, but the director said it belongs to my best films. Opening with a rare act of physical violence (Bergmans characters usually prefer to inflict their traumas emotionally), the film tracks backwards along the stab wound that is the protagonists marriage. The directors second film during his German exile, Marionettes has a raw energy seemingly influenced by Fassbinder and the rising New German Cinema, yet its portrait of obsession, psychosis, and marriage-as-vise is all Bergmans own.
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