<< Saturday, November 23, 2019 >>

Saturday, November 23, 2019

Homework

Film - Documentary | November 23 | 12:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Only Kiarostami could turn a documentary about homework into a delightful, absorbing, and stirring portrait of the “human condition.” The style is simplicity itself: the film consists of a series of interviews with several little boys (and, occasionally, with their parents) about the Iranian school system and its methods of assigning homework. Beleaguered by their rigorous workload, the boys...   More >

Jim Allison: Breakthrough

Film - Documentary | November 23 | 3 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

This documentary tells the remarkable story of the perseverance of a biological scientist who found a cure for cancer through his trailblazing immunotherapy research. Jim Allison spent a significant part of his career as a professor of immunology and director of the Cancer Research Laboratory at UC Berkeley between 1985 and 2004, and concurrently at UC San Francisco from 1997. Among his many...   More >

The Servant

Film - Feature | November 23 | 5 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

“Don’t be fooled . . . by PBS prestigerie like Upstairs Downstairs,” critic Raymond Durgnat wrote in 1977 (and decades later, we would add Downton Abbey to the comparison); “they’re nostalgic recuperations of all the tensions plotted by Harold Pinter and Joseph Losey in this, their seminal study of master-servant relationships. How and why does the rich young man with aristocratic pretensions...   More >

Ash Is Purest White

Film - Feature | November 23 | 7:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

A gangster’s wife stands on her own in Jia Zhangke’s expansive narrative of empowerment and survival, set against the tumultuous political and cultural changes of twenty-first-century China. Jia’s wife and longtime muse Zhao Tao, whose roles in his Unknown Pleasures and Still Life serve as inspiration, stars as a woman saddled with a mobster lover who’s seen one too many John Woo films; she first...   More >