<< Saturday, November 16, 2019 >>

Saturday, November 16, 2019

Bollywood and Beyond: 3rd i's 17th Annual SF Int'l South Asian Film Festival

Film - Series | November 7 – 16, 2019 every day with exceptions |  Screenings at different locations: November 7-10 (San Francisco) November 16 (Palo Alto)

 Institute for South Asia Studies, The Subir & Malini Chowdhury Center for Bangladesh Studies

The Subir & Malini Chowdhury Center for Bangladesh Studies and the Institute for South Asia Studies at UC Berkeley cosponsor 3rd i's 17th Annual SF International South Asian Film Festival. (November 7-10 and November 16, 2019).

My Uncle

Film - Feature | November 16 | 3 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Young Gerard Arpel feels alienated and constricted in his parents’ house, in which ingenious modern gadgets replace human effort and precision scheduling passes for interaction. Therefore he loves to spend time with his Uncle Hulot (Jacques Tati), whose home resembles a nest at the top of a ramshackle old house in a lively, impoverished quarter of the city. Much of the humor of this delicately...   More >

10 on Ten

Film - Feature | November 16 | 5:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

In this self-portrait of the artist in his natural habitat—the driver’s seat of a car—Kiarostami offers his teachings on movies and on what he makes, which may be something else altogether. Taking his 2002 film Ten, shot with a stationary video camera on the dashboard of a car, as a case in point, he dissects his approach to filmmaking throughout his oeuvre. He has a lesson plan: the film is...   More >

10 on Ten

Film - Feature | November 16 | 5:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

In this self-portrait of the artist in his natural habitat—the driver’s seat of a car—Kiarostami offers his teachings on movies and on what he makes, which may be something else altogether. Taking his 2002 film Ten, shot with a stationary video camera on the dashboard of a car, as a case in point, he dissects his approach to filmmaking throughout his oeuvre. He has a lesson plan: the film is...   More >

The Spring River Flows East

Film - Feature | November 16 | 7:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Part I: Wartime Separation (Ba nian li luan); Part II: Darkness and Dawn (Tianliang qian-hou). Included on the Hong Kong Film Awards list of the greatest Chinese-language films of all time, The Spring River Flows East has been termed China’s Gone with the Wind, a sweeping decades-spanning epic that sums up an entire nation’s history and identity. A married couple in Shanghai are separated during...   More >