<< Saturday, November 09, 2019 >>

Saturday, November 9, 2019

Bollywood and Beyond: 3rd i's 17th Annual SF Int'l South Asian Film Festival

Film - Series | November 7 – 16, 2019 every day with exceptions |  Screenings at different locations: November 7-10 (San Francisco) November 16 (Palo Alto)

 Institute for South Asia Studies, The Subir & Malini Chowdhury Center for Bangladesh Studies

The Subir & Malini Chowdhury Center for Bangladesh Studies and the Institute for South Asia Studies at UC Berkeley cosponsor 3rd i's 17th Annual SF International South Asian Film Festival. (November 7-10 and November 16, 2019).

A Familiar Face

Film - Feature | November 9 | 2:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

“The story of an enterprising Ukrainian ‘philistine,’ Apollon Shmyhuev (Ivan Sadovskiy), whose peaceful bourgeois existence is upset by the 1917–1921 Civil War. He accidentally joins a Bolshevik military regiment [and what ensues is] an adventure road-movie with touches of the absurd. Featuring a camel as one of the main characters and mocking Bolshevik bureaucracy and fanaticism, as well as the...   More >

Ten

Film - Feature | November 9 | 5:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

It makes sense that if Kiarostami were to create a chamber piece, the “chamber” would be the front seat of a car. It is here, on the crowded streets of Tehran, that a middle-class woman (we never know her name) does her best thinking, engages loved ones on issues of family life, and strangers on religion and the oppression of women. And it was here, we suspect, that she came to the decision to...   More >

Don Diego and Pelageya

Film - Feature | November 9 | 7:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

“Protazanov was a master of stylization, adapting new forms and techniques with the flexibility of a chameleon. Examining his films one can easily trace the influence of Bauer, Eisenstein, Pudovkin, Lubitsch, Griffith, the French ‘avant-garde,’ and so forth. Perhaps Don Diego and Pelageya, too, offers a stylization of sorts—but a cleverly concealed one. A comedy of the 1920s is easily...   More >