<< Sunday, October 20, 2019 >>

Sunday, October 20, 2019

76 Minutes and 16 Seconds with Abbas Kiarostami: (76 daghighe va 15 sanieh ba Abbas Kiarostami)

Film - Feature | October 20 | 3 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Filmmaker Seifollah Samadian was one of Abbas Kiarostami’s closest friends and worked alongside him for over twenty-five years, collaborating on projects such as ABC Africa and Five. In this intimate portrait, which is revealing in subtle and touching ways, Samadian draws upon footage he shot of Kiarostami on location and while traveling in Iran and abroad, showing him at work as a photographer,...   More >

76 Minutes and 16 Seconds with Abbas Kiarostami: (76 daghighe va 15 sanieh ba Abbas Kiarostami)

Film - Feature | October 20 | 3 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Filmmaker Seifollah Samadian was one of Abbas Kiarostami’s closest friends and worked alongside him for over twenty-five years, collaborating on projects such as ABC Africa and Five. In this intimate portrait, which is revealing in subtle and touching ways, Samadian draws upon footage he shot of Kiarostami on location and while traveling in Iran and abroad, showing him at work as a photographer,...   More >

Husband and Wife

Film - Feature | October 20 | 4:30 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

An absorbing example of genre filmmaking in the People’s Republic of China, Husband and Wife could at first glance be mistaken for any other romantic melodrama chronicling the rise and decline of a married couple’s love; here, though, that love takes place in (and is entirely defined by) a realm of political upheaval and Maoist ideology. A Shanghai intellectual marries an illiterate peasant...   More >

Stories We Tell

Film - Feature | October 20 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

Actress-turned-director Sarah Polley sets her gaze toward her own family history—and her remarkable, remarkably unconventional mother—in this moving, constantly surprising documentary on home life, marriage, and female independence. Polley and cinematographer Iris Ng weave between straightforward, shot-on-digital first-person interviews and more romanticized, gauzy fictional Super 8mm “home...   More >