Lecture at 7 p.m. in the Museum Theater of the Berkeley Art Museum, 2621 Durant Avenue, Berkeley.
Registration for all three lectures has reached capacity. We do anticipate a limited number of “rush” tickets becoming available the night of each lecture. A “rush line” will form on a first-come, first-served basis. For more information, visit http://bampfa.berkeley.edu/tjclark.
Introduced by Judith Butler.
Second of three lectures by renowned art historian, author, and professor T.J. Clark, extracted from a series of six delivered as the Mellon Lectures in the Fine Arts last spring at the National Gallery in Washington, D.C. They treat three notable pictures by Picasso from the 1920s and 1930s: the so-called Guitar and Mandolin on a Table / Still Life in Front of a Window from 1924 (Guggenheim Museum, New York); the Three Dancers painted a year later (Tate Modern, London); and the mural of the bombing of Guernica done for the Spanish Pavilion in 1937 (Reina Sofia, Madrid).
Clark writes, “The main subject of the lectures is Picasso’s sense of space. Cubism — the great, maybe the only, shared language of the early twentieth century — possessed, beneath its brilliant surface changes, an immoveable sense of how space might offer itself as inhabitable and ‘human’. In the three paintings the lectures deal with, humanness is under threat. The room, the window, the tiled floor, the table filled with familiar objects — all this previous Cubist world, steeped as it was in the Bohemian confidence of the nineteenth century, is coming to an end. The catastrophe of the new century is taking shape.”
T.J. Clark is George and Helen Pardee Chair and Professor of Modern Art in the Department of History of Art at UC Berkeley. He is the author of a series of groundbreaking books, from early works such as The Absolute Bourgeois: Artists and Politics in France, 1848–1851 (1973) and The Painting of Modern Life: Paris in the Art of Manet and his Followers (1985) to the more recent Farewell to an Idea: Episodes from a History of Modernism (1999), Afflicted Powers: Capital and Spectacle in a New Age of War (2005, with Iain Boal, Joseph Matthews, and Michael Watts), and The Sight of Death: An Experiment in Art Writing (2006).
Cosponsored and presented by the Townsend Center for the Humanities, the History of Art Department, the Program in Critical Theory, and the Berkeley Art Museum.
Registration for all three lectures has reached capacity. We do anticipate a limited number of “rush” tickets becoming available the night of each lecture. A “rush line” will form on a first-come, first-served basis. For more informati
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