Art as Critique Conference

Conference/Symposium | March 1 | 9 a.m.-6:30 p.m. | Stephens Hall, Geballe Room, Townsend Center

 Arts Research Center

Art as Critique Conference
Friday, March 1, 2019
9:00am-6:30pm
Geballe Room, Townsend Center for the Humanities

ARC’s March’s conference Arts as Critique seeks to prompt the question of the relationship between art and criticism from the standpoint of social and political exigencies of our times, and to do so by thinking scholars and curators thinking from and about the global margins and zones of acute transition often called the “Global South”–from Africa, Latin America, South East Asia and the Middle East, to U.S. Latino, African American, Native American and Asian American communities. Arts as Critique is interested in the extent to which contemporary art, art criticism and curating wield a transformative capacity to actively condition or mobilize collective imaginaries and struggles. How do feminist, queer, postcolonial/decolonial, postnational perspectives and interventions call attention to, and reclaim, the political implications of art as critique beyond Eurocentric ramifications? What kinds of (un)belongings and displacement, figured through tropes of gendered, sexualized, ethnicized and racialized vulnerability, could allow us to think (with) the limits and the resistant potential of art?

Featuring Victor Albarracin, Neda Atanasoski, Natalia Brizuela, Tarek Elhaik, Adriana Johnson, Koyo Kouoh, Anneka Lenssen, Leigh Raiford, Kriss Ravetto, Poulomi Saha, and Kalindi Vora.

Co-sponsored by the Arts Research Center, UCHRI, the Department of History of Art Curatorial Initiative, Townsend Center for the Humanities, BCNM, Department of Spanish & Portuguese, D-Lab, Digital Humanities, and the Center for Latin American Studies.

ARC’s 2018-19 program is a collaboration between ARC Interim Director Natalia Brizuela (Film & Media and Spanish & Portuguese), Tarek Elhaik (Anthropology, UC Davis), Anneka Lenssen (History of Art), Leigh Raiford (African American Studies), and Poulomi Saha (English), supported by a generous grant from the The University of California Humanities Research Institute (UCHRI).

This project was supported in part by the University of California Office of the President MRPI funding MR-15-328710.

 All Audiences

 All Audiences

 Laurie Macfee, Event Coordinator & Office Mgr, Arts Research Center, CA, macfee@berkeley.edu, 510-642-4268; Lauren Pearson, Associate Director, Arts Research Center, 510-642-4268