Lecture | November 9 | 12:30-2 p.m. | 104 Wurster Hall
Lucia Allais, University of Princeton
Between 1943 and 1945, the Allied Air Forces produced aerial photographs of 79 Italian cities, annotated them with the location of monuments, and appended them with elaborate instructions for aerial bombers on how to miss cultural sites. Similar lists and maps of monuments were produced by the Allies for almost every country in Europe, alternatively expanding and shrinking to fit various phases of fighting. The longest German list was 150 pages; one map of 23 monuments for the whole of France was once made. What kind of media were these? To what use were they put; how did they partake in the technologies of precision that were the core of Allied aerial strategy, and how did they help inaugurate a new global regime of cultural preservation? Lucia Allais will narrate and analyze this remarkable episode, drawn from her book, Designs of Destruction: The Making of Monuments in the 20 th Century (Chicago: 2018), which chronicles the rise of the cultural monument as a modern, global, building type between the 1930s and 1970s.
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