<< Sunday, March 31, 2019 >>

Sunday, March 31, 2019

African Film Festival 2019

Film - Series | March 2 – May 10, 2019 every day |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

March 2–May 10, 2019

This year’s edition of the African Film Festival highlights the best of both new African cinema and films of the black diaspora. We pay tribute to the great director Bill Gunn—also an actor, playwright, and novelist—with new restorations of two genre-benders, his radical horror film Ganja & Hess and his “meta–soap opera” Personal Problems. The latter was conceived by...   More >

Chamisso’s Shadow: A Journey to the Bering Sea in Three Chapters. Chapter 2, Part 2: Chukotka and Wrangel Island

Film - Documentary | March 31 | 3 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

In 2014, Ottinger journeyed to the distant regions of the Bering Sea—to Alaska, then Chukotka, and on to Kamchatka—following along the paths of historic expeditions and explorers, such as the naturalist Georg Willem Steller and Vitus Bering; later, Captain James Cook; and, still later, the poet and botanist Adelbert von Chamisso, who traveled with Otto von Kotzebue. Over a three-month period,...   More >

Donkey Skin

Film - Feature | March 31 | 4 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

This charming adaptation of a fairy tale by Charles Perrault has been called Jacques Demy’s “grand synthesis of Cocteau and Minnelli,” graced with wondrous costumes and vivid colors, ingenious trick effects and a stellar cast. The tale involves a beautiful princess (Catherine Deneuve) whose father, the Blue King (Jean Marais), desires to marry her in order to fulfill a deathbed promise to his...   More >

Hunger for Love: Have You Ever Sunbathed Completely Nude?

Film - Feature | March 31 | 7 p.m. |  Berkeley Art Museum and Pacific Film Archive

 Berkeley Art Museum and Pacific Film Archive

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and...   More >