"As on the First Day": The Struggle of Firsts in Heidegger's "First Elaboration" of his "Origin of the Work of Art"
Lecture | November 7 | 5-7 p.m. | 370 Dwinelle Hall | Note change in date
Peter Fenves, Professor of German, Comparative Literary Studies, Jewish Studies, and Asian Languages and Cultures, Northwestern University
The primary thesis of this paper is that Heideggers First Elaboration of the thoughts that would emerge as his essay on The Origin of the Work of Art provides a tantalizing brief index of an insight into the work of art from which the later elaborations of the Artwork essay would progressively retreat. The secondary thesis of this paper is that, even if its primary thesis appears as though it were only a parody of the primary thesis Heidegger advances in Kant and the Problem of the Metaphysics, the index in question is itself parodic. Specificallyand this is the tertiary thesisHeidegger follows Mephistopheles in parodying the angelic celebration of creation in the Prologue in Heaven with which Goethes Faust begins. Returning repeatedly to the angelic phrase, as on the first day (wie am ersten Tag), the paper asks, in short, why Heidegger for a moment adopts this phrase to capture the struggle from which the work of art originatesand why, in turn, he erases it ever afterwards.
Peter Fenves, the Joan and Serapta Professor of Literature at Northwestern University is a professor of German, Comparative Literary Studies, Jewish Studies, and Asian Languages and Cultures. He is the author of several books, most recently Walter Benjamin entre los filósofos