Film - Feature | December 27 | 12-5:10 p.m. | Berkeley Art Museum and Pacific Film Archive
Bergmans dreamlike family chronicle is set in turn-of-the-century Sweden, where the members of an upper-middle-class theatrical clan are sheltered by their own theatrics from the deepening chaos of the outside world. Bergman has the grace in this most graceful film not to view their histrionics and eccentricities as neuroses. One tumultuous year in the life of the Ekdahl family is viewed through the eyes of ten-year-old Alexander, whose imagination fuels the magical goings-on leading up to and following the death of his father. His mothers remarriage to a stern prelate banishes Alexander and his sister Fanny from all known joys, and thrusts them and the movie into a kind of gothic horror. The bishop is a typical Bergman figure whose severity has gone awryhe has become sinisterand the films round rejection of him in favor of kindness, affection, and goodness may be Bergmans fondest farewell to cinema, in what was announced at the time as his last film.
This is a rare theatrical presentation of Bergmans magnum opus in its television version, which runs more than five hours; the shorter version originally released in theaters screens on December 21.
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